Sreekanth Kopuri
A Bazaar Scene
French Peta Square, Machilipatnam
The first tuk tuk un-tucks the village women,
arranging the cane baskets of
fresh vegetables along the pavement, the
farm-fresh colours smile,
like the prisoners being released but,
only draw the cow,
the same trespasser again they whisk
off she humbly moves to the
just-arrived Huassain’s pushcart of bananas
for consolation and gets one,
the squint-eyed Gopal watches
from his grocery, opposite,
while he makes pious gestures
at the wooden money box
for an auspicious start, when the newspaper
the paper boy suddenly flings hits,
the headlines being “High Onion Prices”
which news the television
in Rajastan tea stall too blares.
It swarms with
the morning walkers and hawkers who
abuse each other in a lighter vein
over sips and cigarette puffs. As some are
too inhibited to complain, grumble and
quit for the nearby Hanuman temple,
being drawn towards the
broken bits of chalisa, emanating from
those long-defective speakers
the endowments department
never bothers about
nor about those beggars who
diligently form
a cross-legged line at the temple gates
for the day’s certain alms
from the more diligent devotees
with their firm faith
in salvation through good deeds
unlike the ogling nature
of the priest at the sanctum sanctorum.
Inside the fly-swarming,
shabby beanery beside,
his son hand-mixes
the rice batter while his beautiful daughter in law
sits at the cash counter,
and watches the butcher on the other side
calling the customers,
displaying the fresh, blood-dripping meat torsos,
pointing at their plump scrotum,
as most folk believe the male ones are tasty,
and a stray dog diligently stares
at his hand for his regular fling of bones
in the stagnate drainage canal beside
that adjoins the town’s police station
where a raped youth waits
another day for the justice that lies in the
inspector’s greasy palms
while the municipal worker collects the
garbage the town heaped
at the dilapidated Gandhi statue stained
by the bird droppings.